Review: RUMBLESKIN (Ames May Nunn & fortyfivedownstairs)
A compelling folk-fantasy set in an imagined Wild West has its wings clipped by inconsistent performances and direction.
A compelling folk-fantasy set in an imagined Wild West has its wings clipped by inconsistent performances and direction.
Orchestral colour and brilliance come to the fore as the TSO welcomes back Ukrainian-born pianist Alexander Gavrylyuk.
Kathryn Selby’s program of three extraordinary piano trios culminates in a profoundly affecting performance of a wartime Shostakovich classic.
A little night music with a slice of Vienna from homecoming pianist Joseph Havlat.
Nicole Car dazzles in Sarah Giles’s five-star staging of Dvořák’s masterpiece – the best in decades.
Every musician is afforded opportunities to shine in this expertly judged tribute to George Philipp Telemann.
Featured cellist Raphaela Gromes delivers a fresh and revelatory Dvořák Cello Concerto in a program billed as a "Journey to the Americas".
In a series of delightfully excruciating theatre games, the underlying hurts of five ordinary people are gently revealed.
A musical snapshot of Classical Vienna featuring the exquisite sounds of instruments of the era.
An astonishingly good Dolly Parton dupe provides nearly all the style for a jukebox musical otherwise short on substance.
With a different performer cold-reading every night, plus some video trickery, playwright Nassim Soleimanpour’s new show is enjoyably unsettling.
It’s back to nature as top a cappella group Sjaella make a return song-and-dance visit.
Marina Prior shines in a zany, emotional roller coaster with all the feels.