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Opera
Live Review

Review: Considering Matthew Shepard (Soundstream New Music)

A fine and very moving performance of Craig Hella Johnson’s oratorio concerning a murder that changed the world.

October 13, 2023
Classical Music
Live Review

Review: Classic Grandeur (Academy of St Martin in the Fields)

Conservative programming yields some mixed results in the Joshua Bell-led Academy's Brisbane concert.

October 13, 2023
Theatre
Live Review

Review: WAKE (The Rabble/Melbourne Fringe Festival)

The ordinary and extraordinary celebrated in a powerful work made up of real-life memories, regrets and experiences.

October 12, 2023
Dance
Live Review

Review: Architect of the Invisible (Co3 Contemporary Dance Australia)

Dante Alighieri’s The Divine Comedy turned into a mesmerising search for enlightenment, written in dance.

October 12, 2023
Vocal & Choral
Live Review

Review: Songs from a Strange Land (The Song Company)

The Song Company pays homage to the enduring brilliance of the English composer William Byrd, 400 years after his death.

October 9, 2023
Chamber
Live Review

Review: Nocturne (Orava Quartet)

Working in an unusual venue, Orava Quartet presented a triptych of string quartets to confuse, amuse and romance the soul.

October 9, 2023
Classical Music
Live Review

Review: Academy of St Martin in the Fields (Sydney Opera House)

Three masterpieces delivered by a polished ensemble led by a stunning Joshua Bell.

October 8, 2023
Classical Music
Live Review

Review: Magic Spirit (West Australian Symphony Orchestra)

From Ravel to William Barton, WASO's Magic Spirit concert was an invitation to restfulness – and wakefulness.

October 7, 2023
Theatre
Live Review

Review: Venus & Adonis (Sport for Jove)

Birthed as a COVID-era film project, Damien Ryan's Venus & Adonis truly finds its feet on the stage.

October 5, 2023
Chamber, Opera
Live Review

Review: Caitlin Hulcup and Friends (Melbourne Recital Centre)

The Australian mezzo returned to her hometown for an intimate performance of Romantic-era songs.

October 4, 2023
Opera
Live Review

Review: earth.voice.body (Sydney Chamber Opera/Carriageworks)

Featuring innovative staging and superlative performances, Sydney Chamber Opera’s triple bill is a portrayal of humans on the brink.

October 2, 2023
Classical Music
Live Review

Review: Sibelius’ First Symphony (West Australian Symphony Orchestra)

Under the baton of Otto Tausk, WASO make a coherent showcase of three wildly contrasting works.

September 30, 2023
Theatre
Live Review

Review: My Sister Jill (Melbourne Theatre Company)

Patricia Cornelius adapts her own novel about a family torn apart by the ripples of war.

September 29, 2023

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