Review: Carmina Burana (Sydney Philharmonia Choirs)
Delivering a beloved choral classic alongside satisfying new Australian works proved a great example of modern programming.
Delivering a beloved choral classic alongside satisfying new Australian works proved a great example of modern programming.
Despite moments of promise and some standout performances, this production doesn't quite deliver.
Excellent performances from Ilya Gringolts and the TSO string section take the orchestra to new heights.
Sarah Giles' decadent production features some wonderful performances and a set design that cleverly shifts perspective.
Sopranos Helena Dix and Eleanor Greenwood are magnificent as rival queens in Donizetti’s Tudor tragedy.
A riveting performance of Turkish composer Fazil Say’s Violin Sonata No. 2 is the standout feature of Emily Sun’s wide-ranging recital program.
This new production, which features 21 paintings as part of its design, is a powerful, visually beautiful homage to Vincent van Gogh.
These two tiny operas by Charpentier, created to be performed in Louis XIV's private appartments, offer another kind of chill today.
Gale Edwards' production of Ionesco's absurdist tour de force, starring Paul Capsis and iOTA, is brilliant, thought-provoking theatre.
Originally scheduled for 2020, Stuart Maunder's production is well worth the wait.
Anthony LaPaglia stars in Neil Armfield’s outstanding new production of Arthur Miller’s timeless tragedy.
Twenty years since its premiere, Wicked still has plenty to say and with two "thrillifying" performances in the starring roles, fans will be in their element.
Despite some clever, very funny moments, the new Australian musical about the country’s biggest political crisis doesn’t quite hit the mark.