Review: WAKE (The Rabble/Melbourne Fringe Festival)
The ordinary and extraordinary celebrated in a powerful work made up of real-life memories, regrets and experiences.
The ordinary and extraordinary celebrated in a powerful work made up of real-life memories, regrets and experiences.
Dante Alighieri’s The Divine Comedy turned into a mesmerising search for enlightenment, written in dance.
The Song Company pays homage to the enduring brilliance of the English composer William Byrd, 400 years after his death.
Working in an unusual venue, Orava Quartet presented a triptych of string quartets to confuse, amuse and romance the soul.
Three masterpieces delivered by a polished ensemble led by a stunning Joshua Bell.
From Ravel to William Barton, WASO's Magic Spirit concert was an invitation to restfulness – and wakefulness.
Birthed as a COVID-era film project, Damien Ryan's Venus & Adonis truly finds its feet on the stage.
The Australian mezzo returned to her hometown for an intimate performance of Romantic-era songs.
Featuring innovative staging and superlative performances, Sydney Chamber Opera’s triple bill is a portrayal of humans on the brink.
Under the baton of Otto Tausk, WASO make a coherent showcase of three wildly contrasting works.
Patricia Cornelius adapts her own novel about a family torn apart by the ripples of war.
A night of dazzling, unforgettable music making from the Berlin-based rock stars of the classical scene.
A gripping evening with the fabled sisters Helen and Clytemnestra. Think Greek myth delivered with a Real Housewives twist.