Fine performances grace debut playwright Hannah Belanszky's earnest work about a father and daughter yearning for connection.

Directed by Andrew Haveron, the SSO strings strut their stuff and two extraordinary guest artists shine.

Throughout the 60 minutes of this Australian Chamber Choir performance, Michelangelo’s influence was never far away.

Australian Haydn Ensemble’s magnificent seven nail a stripped back Beethoven classic.

A one-off performance made for a gutsy, complicated and occasionally overwrought experience that engaged all the senses.

Mozart's Figaro into Bruckner’s Fourth makes for a bottom-heavy program but superlative playing by the WASO makes light of it.

Information, disinformation and distraction all part of Lucy Prebble's play about the notorious assassination of a Russian defector.

An apt title for a theatre located under the flightpath of Sydney Airport but The Approach has nothing to do with air traffic.

Notions of authenticity explored and contemporary politics expertly skewered in this ambitious, flawlessly performed two-hander.

Winter in Canberra seems more memory than dream these days but this was an imaginative and satisfying experience.

Musica Viva Tasmania assembles a formidable team for a stylistically varied program of piano quartets.

An enjoyable, eclectic evening of awe-inspiring musicianship with an unlikely instrumental trio.