This supernatural thriller from the West End is more talk than terror.

Sydney International Competition winner Jeonghwan Kim, a 23-year-old unknown “complete pianist”, shows his wares in his debut national tour.

An offbeat story about love and pet fish has moments of sharp humour and sincere vulnerability, but lacks clarity.

In this subtly powerful new monologue, a woman reflects on a year of self-imposed silence.

Sondheim's throat-slashing musical gets a razor-sharp production, with a fine double act from Ben Mingay and Antoinette Halloran at its dark heart.

An intimate subterranean recital by Ensemble Q makes a persuasive case for a string trio take on Bach’s famous Goldberg Variations.

Eleven cosmic vignettes, blending improvisation and notated performance, make for a gorgeous and lonely drift through space.

Bloom lives up to its name, revealing a big heart and warm sense of humour as it explores aspects of life too often ignored.

Lyric baritone Benjamin Appl entrances with a recital of 22 songs made beautiful, powerful, tender and menacing by turns.

Sydney Theatre Company's adaptation of Nevil Shute's pessimistic best-seller falls just short of delivering a knockout punch.

One-act political satires by George Dreyfus and Ernst Krenek delivered in thrilling style with every detail of tone and colour writ large.

A rapturous program cements our youngest orchestra’s place among Australia's finest.