Like any good casting director, AFCM's Jack Liebeck knows how to curate an impressive opening-night lineup.

A musically rich and evocative presentation of the true-crime story of Victoria's “amazingly gay bushrangers".

A fine piece of theatre craft breathes timely life into George Orwell’s ideas on the surveillance state and the right to privacy.

Emmanuelle Mattana's hit play exposes the roots of male privilege as private school boys gather to debate the merits of feminism.

This excellent revival finds all the humour and all the heart in the outrageous, outrageously funny musical.

In a room tuned to chamber-sized work, David Williamson's Emerald City comes across as shouty and unsubtle. 

Sjaella is an experience in superb singing and musicianship – melded with unique grace and presence.

A humane, darkly comic ride into the chaos of addiction – and out the other side.

Harold Pinter's famous love-triangle drama lacks some hard edges and sharp points.

A compelling folk-fantasy set in an imagined Wild West has its wings clipped by inconsistent performances and direction.

Orchestral colour and brilliance come to the fore as the TSO welcomes back Ukrainian-born pianist Alexander Gavrylyuk.

Kathryn Selby’s program of three extraordinary piano trios culminates in a profoundly affecting performance of a wartime Shostakovich classic.