The big finish to Wagner's monumental Ring cycle is musically and dramatically strong, engaging and a feather in Melbourne Opera's cap.

The Aussie debut of the UK's Renaissance music boy band brings a delicious, harmonic slice of English cathedral tradition to our shores.

Dietrich Buxtehude's consideration of the body of Christ upon the cross is brilliantly performed by Pinchgut's gilt-edged ensemble.

The problem child third opera in Wagner’s Ring tetralogy, Siegfried is dominated by male voices but women save the day.

Fences might strike some as old-fashioned. But this production’s power to immerse you in the lives of others is undeniable.

The honour of being the first show in a new venue goes to the gritty Cherry Smoke, a play that feels out of step with the times.

EO extends a warm hand to its audience from within a private home with new music and a virtuosic world premiere.

Melbourne Opera’s Ring cycle hits its stride with an energising second instalment of Wagner’s tetralogy.

Transparent and transporting, this Covid-postponed Sydney Chamber Choir showcase of sacred music was well worth the wait.

John Rotar’s Passio is an extraordinarily compelling work, one that surely will stand the test of time.

Melbourne Opera opened the first of its three full Ring cycles in Bendigo with a Das Rheingold packed with fine performances.

Bach Akademie Australia's Easter presentation sets a new measure of excellence for baroque vocal performance.