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Chamber
Live Review

Review: Haydn’s Sun & Mendelssohn’s Stars (Australian Haydn Ensemble)

Australian Haydn Ensemble tracks the art of the fugue – from Bach to Haydn and beyond.

February 21, 2023
Chamber
Live Review

Review: Karin Schaupp & Flinders Quartet (Musica Viva Australia)

Guitar diva Karin Schaupp and four old friends bring us some old favourites and a stunning new Carl Vine work.

February 20, 2023
Theatre
Live Review

Review: CAMP (Siren Theatre Co & The Seymour Centre)

CAMP is a window on to a world many of its younger audience would find hard to recognise let alone accept.

February 20, 2023
Theatre
Live Review

Review: Blessed Union (Belvoir)

Maeve Marsden's debut play Blessed Union is a scorchingly funny, deeply empathetic and politically attuned WorldPride must-see.

February 20, 2023
Musical Theatre & Cabaret, Theatre
Live Review

Review: Choir Boy (National Theatre of Parramatta)

Choir Boy is a joyous celebration of vulnerability, a heartwarming reflection of how far we have come – and how far there is to go.

February 20, 2023
Musical Theatre & Cabaret
Live Review

Review: The Rocky Horror Show (Rocky Horror Company Ltd)

A middle-aged makeover and the casting of Jason Donovan has done wonders for Richard O’Brien’s Rocky Horror Show.

February 19, 2023
Classical Music
Live Review

Review: Ode to Joy (Queensland Symphony Orchestra)

Queensland Symphony Orchestra’s opening concert for 2023 presented a bold mix of classical romanticism and First Nations works.

February 18, 2023
Classical Music
Live Review

Review: Rimsky-Korsakov’s Scheherazade (Sydney Symphony Orchestra)

Simone Young and pianist Cédric Tiberghien's French connection works its magic on a balmy summer night.

February 17, 2023
Theatre
Live Review

Review: Nosferatu (Malthouse Theatre)

This adaptation of the vampire cinema classic Nosferatu dwells in the netherworld between popular and intellectual theatre.

February 16, 2023
Theatre
Live Review

Review: The Goat, or Who is Sylvia? (State Theatre Company of South Australia)

Edward Albee's Tony Award-winning The Goat, or Who is Sylvia? plumbs the depths of the moral low ground. No kidding.

February 15, 2023
Chamber, Classical Music
Live Review

Review: Passion and Virtuosity (Eurelia Trio, Vivente Music)

The Eurelia Trio's outstanding debut concert celebrates Russian Romanticism on Valentine’s Day eve.

February 14, 2023
Theatre
Live Review

Review: Phaedra (National Theatre, London)

Australian director Simon Stone’s dazzling Phaedra is a razor-sharp skewering of champagne socialism.

February 14, 2023
Opera
Live Review

Review: Michael Fabiano in Concert (Opera Australia)

American tenor Michael Fabiano’s Melbourne debut showcases his vocal power, technical excellence and heartfelt passion.

February 13, 2023

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