CAMP is a window on to a world many of its younger audience would find hard to recognise let alone accept.

Maeve Marsden's debut play Blessed Union is a scorchingly funny, deeply empathetic and politically attuned WorldPride must-see.

Choir Boy is a joyous celebration of vulnerability, a heartwarming reflection of how far we have come – and how far there is to go.

A middle-aged makeover and the casting of Jason Donovan has done wonders for Richard O’Brien’s Rocky Horror Show.

Queensland Symphony Orchestra’s opening concert for 2023 presented a bold mix of classical romanticism and First Nations works.

Simone Young and pianist Cédric Tiberghien's French connection works its magic on a balmy summer night.

This adaptation of the vampire cinema classic Nosferatu dwells in the netherworld between popular and intellectual theatre.

Edward Albee's Tony Award-winning The Goat, or Who is Sylvia? plumbs the depths of the moral low ground. No kidding.

The Eurelia Trio's outstanding debut concert celebrates Russian Romanticism on Valentine’s Day eve.

Australian director Simon Stone’s dazzling Phaedra is a razor-sharp skewering of champagne socialism.

American tenor Michael Fabiano’s Melbourne debut showcases his vocal power, technical excellence and heartfelt passion.

SIMA's Dundun Firestick lacked thematic cohesion but was made wholly satisfying by talented musicians exploring diverse but equally important themes.