Nicolette Fraillon will farewell The Australian Ballet in 2022
After nearly 20 years as The Australian Ballet's Chief Conductor and Music Director, Nicolette Fraillon is to leave the company in late 2022.
After nearly 20 years as The Australian Ballet's Chief Conductor and Music Director, Nicolette Fraillon is to leave the company in late 2022.
Curated by Joseph Nolan, next year's program sees two of Handel's great works performed alongside a Chopin recital and an organ recital.
The national vocal ensemble has announced its program for next year, including a MainStage performance of Brahms' A German Requiem, intimate recitals in its Close-Up series, and more adventurous Underground performances.
Olivia Ansell's first Sydney Festival includes stunning installations, music in boatsheds and at The Cutaway in Bangaraoo, musicals, outdoor theatre, a strong dance component and more.
The touring chamber ensemble will revive much of its cancelled 2021 season, and has a new Victorian home at the Primrose Potter Salon at Melbourne Recital Centre.
The Australian National Academy of Music’s audacious commissioning project reaches its conclusion, with a festival in May to premiere 67 new works.
OQ's 2022 season features two newly commissioned works, a classic, a regional tour and the return of the Studio Series and the Festival of Outback Opera, with a strong focus on women.
Artistic Director Mark Kilmurry has announced the Ensemble’s 2022 season, featuring six new Australian works, a modern classic and an adaptation of Dickens’ A Christmas Carol.
In 2022, Perth Festival celebrates the theme of Wardan (Ocean) across music, dance, theatre, visual arts, film and writing events.
Features this month include summer reads for music lovers, the Limelight Artists of the Year for 2021, the transformation Simone Young will bring to the SSO, and Henry Handel Richardson's love of music and her treasure trove of songs.
With a wary eye on borders closures, the TSO has programmed six months of concerts starring their own principal musicians as featured soloists.
From May, Harry Potter and the Cursed Child will hit the stage in Melbourne in a newly reimagined, condensed play. Muggles who want to see the original two-play version need to get a wriggle on.
Sydney’s musical mavericks launch a season filled with commissions, collaborations, and concerts all over the country and – literally – in their own backyards.