Australian theatre companies were early and enthusiastic adopters of Stoppard’s work, some of the most celebrated plays of the modern repertoire.

Peak bodies representing music and drama education professionals say many have "lost confidence" in the NSW Education Standards Authority.

"A watershed moment for Australian storytelling": Streaming services must now invest 10 percent of their Aussie expenditure in local content.

Salut! Baroque invites you into a world where beauty and invention flourished despite intense political, religious and social constraints.

Australia Institute report warns of “one-way valve” that sees Australians increasingly consume international music while local artists struggle for visibility.

Close contenders to our top 25, these works deserve a listen.

A new three-year partnership offers student engagement and research opportunities, launched with a newly refurbished studio.

A year of inspirational masterworks from Britten, Handel and Haydn alongside fresh Australian compositional voices.

German-Japanese pianist Alice Sara Ott's showcase of a lesser-known composer was the platform's most popular album of the year.

From birdsong in March to the thunderous roll of Haydn’s London triumphs in October, AHE’s 2026 season traces an arc of discovery and delight.

Lou Bennett, Paul Stanhope, the ASQ and Adelaide Festival's Lesley Newtown recognised in the Ruby Awards, celebrating SA's arts and culture.

Britten’s The Prince of the Pagodas leads a strong field across five categories.