Arts companies begin to see Federal COVID-19 funding
The Federal Government’s long-awaited RISE funding begins to flow to arts companies, while restrictions on venue capacity continue to lift around the country.
The Federal Government’s long-awaited RISE funding begins to flow to arts companies, while restrictions on venue capacity continue to lift around the country.
Off the back of a challenging year, the period instrument ensemble announces its most ambitious touring season yet.
Roland Peelman’s program draws inspiration from Vienna, in an all-Australian line-up that will see Indigenous artists featured every day of the Festival.
Adelaide Festival Co-Artistic Directors Rachel Healy and Neil Armfield have been honoured with the Arts Leadership Award.
The new-look Limelight magazine includes major features written by Mahima Macchione, Jane Albert, Carole M. Cusack and Alex Ross.
Icelandic pianist Víkingur Ólafsson’s intriguing coupling of Debussy and Rameau sweeps the board.
Paul Kildea’s first season as Artistic Director will feature several programs rescued from 2020, plenty of Australian artists, as well as a staged presentation of his book Chopin’s Piano.
Das Rheingold will open at Melbourne's newly renovated Regent Theatre in February, with the Cycle culminating in 2023.
The Brisbane theatre company will present two world premieres in the first part of its 2021 season, with more plays to be announced in 2021.
Originally scheduled for 2020, Impermanence, created to a new score by Bryce Dessner, will premiere, while the acclaimed ab [intra] will return.
The entirely WA program takes the river as its theme and includes a range of new work, with a strong Noongar component.
The ACO’s hybrid live and digital offerings include world premieres by Thomas Adès and Holly Harrison, along with collaborations with Belvoir and a brand new cinematic work, River.
Australian-based and international soloists feature in a series that includes the return of Circa, with each concert also going digital.