Limelight Magazine has a new editor
With Clive Paget now Editor at Large in New York, Jo Litson steps into his shoes.
With Clive Paget now Editor at Large in New York, Jo Litson steps into his shoes.
Artists earn less than most professionals, with disparities even more pronounced for women and differently abled artists.
With the MEAA conducting a survey into sexual harassment in Australian theatre, Limelight asked the orchestras about the issue.
The Australian Chamber Orchestra has announced a three-year partnership with London’s Milton Court Concert Hall.
Kate Moore, Gabriella Smart and Rafael Karlen will receive accomodation and financial support to create new works.
The programme includes Jordi Savall, Jean-Efflam Bavouzet, Taipei’s U-Theatre and the Michael Clark Company. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Australian music, Ross Edwards celebrates a milestone birthday, and a new music micro festival in CRH’s 2018. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The WA composer’s Clarinet Quintet is his second work featured at an International Society for Contemporary Music festival. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Artistic Director of The Flowers of War spoke to Limelight ahead of receiving the Chevalier de l’Ordre des Arts et des Lettres.
New digital roles come at the cost of redundancies, as a handful of favourite broadcasters are forced out of the lineup.
Next year’s centrepiece is a new work inspired by Bruce Pascoe’s award-winning book Dark Emu. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The mezzo’s latest achievement comes off the back of her 2017 Joan Sutherland and Richard Bonynge Bel Canto Award win. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
2018 will see new shows, live concerts at lunch, a move away from long interviews, while Keys to Music gets the chop. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in