Melbourne Theatre Company Artistic Director Anne-Louise Sarks helms a new production of Bizet’s classic that aims to be “a Carmen for our time”, asking “urgent questions about opera’s iconic femme fatale”. Given her insightful semi-staged take on Missy Mazzoli’s Breaking the Waves last year, she might just do it. An intriguing…

Melbourne Theatre Company Artistic Director Anne-Louise Sarks helms a new production of Bizet’s classic that aims to be “a Carmen for our time”, asking “urgent questions about opera’s iconic femme fatale”. Given her insightful semi-staged take on Missy Mazzoli’s Breaking the Waves last year, she might just do it. An intriguing…

Melbourne Theatre Company Artistic Director Anne-Louise Sarks helms a new production of Bizet’s classic that aims to be “a Carmen for our time”, asking “urgent questions about opera’s iconic femme fatale”. Given her insightful semi-staged take on Missy Mazzoli’s Breaking the Waves last year, she might just do it. An intriguing…

Melbourne Theatre Company Artistic Director Anne-Louise Sarks helms a new production of Bizet’s classic that aims to be “a Carmen for our time”, asking “urgent questions about opera’s iconic femme fatale”. Given her insightful semi-staged take on Missy Mazzoli’s Breaking the Waves last year, she might just do it. An intriguing…

Melbourne Theatre Company Artistic Director Anne-Louise Sarks helms a new production of Bizet’s classic that aims to be “a Carmen for our time”, asking “urgent questions about opera’s iconic femme fatale”. Given her insightful semi-staged take on Missy Mazzoli’s Breaking the Waves last year, she might just do it. An intriguing…

Melbourne Theatre Company Artistic Director Anne-Louise Sarks helms a new production of Bizet’s classic that aims to be “a Carmen for our time”, asking “urgent questions about opera’s iconic femme fatale”. Given her insightful semi-staged take on Missy Mazzoli’s Breaking the Waves last year, she might just do it. An intriguing…

Melbourne Theatre Company Artistic Director Anne-Louise Sarks helms a new production of Bizet’s classic that aims to be “a Carmen for our time”, asking “urgent questions about opera’s iconic femme fatale”. Given her insightful semi-staged take on Missy Mazzoli’s Breaking the Waves last year, she might just do it. An intriguing…