Sydney actor Abigail Adriano makes her mainstage lead debut in the upcoming production of Boublil and Schönberg’s musical.

As its La Bohème nears its 200th performance, Opera Australia announces 200 tickets at $2 a pop in a bid to encourage the opera-curious.

British director Jo Davies discusses the things she's keen to address at OA, and explains why she doesn't think it's a problem that this is her first AD role.

In line with its ongoing commitment to the arts, BMW will partner with Opera Australia to present its large-scale BMW Opera for All event in Melbourne.

This month's features explore the magical appeal of A Christmas Carol, the challenges facing our cultural sector and why soprano Siobhan Stagg is in such demand. We also reveal the 2022 Limelight Artists of the Year.

Log in to read the PDF version of Limelight's December 2022 magazine.

The Opera Australia CEO explains how she moved from playing the clarinet to arts management, and how she was once a whiz on the WX7, a Yamaha MIDI controller.

This month's features explore the magical appeal of A Christmas Carol, the challenges facing our cultural sector and why soprano Siobhan Stagg is in such demand. We also reveal the 2022 Limelight Artists of the Year.

"Employ more women," says Opera Australia CEO Fiona Allan, one of six women, including Simone Young and Deborah Cheetham, interviewed in a new documentary by Miriam Gordon-Stewart.

Lyndon Terracini has decided to leave his role as Artistic Director of OA at the end of October, rather than the end of 2023, to make way for his successor and focus on his own future.

Rod Sims, former Chair of the ACCC and passionate opera lover, discusses "moving the dial" at OA by increasing the number of Australian singers, doing more in Melbourne and becoming a truly national company.

A round-up of our recent news reports.