Guy Noble’s Soapbox: Let it Go
Pondering the inconsistency of memory, Guy Noble argues that rather than hold a grudge, it’s better to forgive and forget.
Pondering the inconsistency of memory, Guy Noble argues that rather than hold a grudge, it’s better to forgive and forget.
Staging a commercial musical can help finance a potentially loss-making opera, but has Opera Australia tipped the balance too far?
Discovering how many Brian Coxes there are, Guy Noble envisages a special conference. Perhaps he could organise a Guy Noble get-together as well.
Travel is nowhere near as relaxing as it’s made out to be, argues Guy Noble. So, he has a novel solution – just send him your photograph.
Log in to read the PDF version of Limelight's December 2024 magazine.
Should we expect every concert to be ‘unforgettable’? Guy Noble suggests that good art helps reduce our misery, and when something extraordinary comes along, that’s the cream on the cake.
Everyone's favourite cartoon canine, a new opera inspired by one of the great Las Vegas acts, life aboard a BRAVO arts cruise and the 2024 Limelight Recordings of the Year.
Everyone's favourite cartoon canine, a new opera inspired by one of the great Las Vegas acts, life aboard a BRAVO arts cruise and the 2024 Limelight Recordings of the Year.
Log in to read the PDF version of Limelight's November 2024 magazine.
Sick and tired of unsolicited calls and ID checks, Guy Noble turns the tables on call centres.
Rome's original demagogue, a Miles Franklin musical, an innings with Sir Tim Rice and the mystery of Mozart's sister. November's Limelight is on its way.
Rome's original demagogue, a Miles Franklin musical, an innings with Sir Tim Rice and the mystery of Mozart's sister. November's Limelight is on its way.
Guy Noble asks whether artists have the right to free speech, or if it depends on the context. And why are Australian arts organisations having such trouble retaining cultural leaders?