Opera Australia and JONES Theatrical Group will present the hit Broadway show Hadestown early next year.

Cost-of-living pressures are biting, but the real challenge going forward lies in the loss of audience predictability, says OA's CEO Fiona Allan.

French violinist Matthieu Arama steps into the role left vacant after the departure of Jun Yi Ma in 2022.

The centenary of Puccini's death gives creatives the chance to reflect on what makes his operas so special and explore new ways to stage them.

Five contemporary operas, a bigger Melbourne presence, more women conductors and directors – Jo Davies' inaugural season suggests a change of direction for OA.

A new study shows Australian opera has a legacy of gender inequality. So what’s next? We talk to Opera Australia's Jo Davies and Lindy Hume.

A new production of Andrew Lloyd Webber’s musical is headed for Melbourne and Sydney, but the lead casting draws some negative comment.

OA will stage Opera North's production of Tosca, directed by Edward Dick, at Melbourne's Margaret Court Arena in May 2024.

Opera Australia has released its 2022 Annual Report, revealing that the company "remained viable" thanks to a $10m booster shot from the NSW Government.

British director Jo Davies discusses the things she's keen to address at OA, and explains why she doesn't think it's a problem that this is her first AD role.