In August, Opera Australia announced three key appointments, with one to follow. Peter Tregear discusses the restructure.

Simon Phillips' 2022 production of Andrew Lloyd Webber's musical rebooted for a Handa Opera on Sydney Harbour 2026 season.

On the 150th anniversary of Carmen, we talk to director Anne-Louise Sarks about her new production for Opera Australia.

If Australia is to maintain a thriving arts industry, it needs to rethink its cultural leadership and governance, argues Samuel Cairnduff.

As Guys & Dolls opens on Sydney Harbour, Musical Director and Supervisor Guy Simpson discusses his new arrangement of Frank Loesser’s iconic score.

A round-up of our recent news reports.

Australia’s arts sector faces a watershed moment. It has the opportunity to become the leading space for discourse – but only if there are major changes in cultural leadership.

Decades of funding cuts have created a chasm between the priorities of arts company boards and artists, argues Heather L. Robinson. We'll all pay the price.

A round-up of our recent news reports.

After navigating turbulence in recent weeks, Opera Australia charts a course to "engage and delight" in 2025.

Jo Davies to leave Opera Australia after just 18 months as Artistic Director; more announcements following independent review to come.

In a "bittersweet" move, Francis Greep takes up a new role leading Opera Australia's Young Artist Program.