Review: A Musical Tempest with John Bell (Sydney Symphony Orchestra)
Storms, alarums and excursions as John Bell and the SSO put the Bard to the baton.
Storms, alarums and excursions as John Bell and the SSO put the Bard to the baton.
"Wonder, heart and humour" in the works as Sunshine Coast Chamber Music Festival widens its lens beyond the classical.
Whether you are an avowed minimalist or a devil-may-care, cram-it-all-in maximalist, Limelight’s April edition will have something for you.
John Bell and Simon Tedeschi’s delightful portrait of Mozart is part recital, part cabaret and a must-see for anyone who wants to know the man behind the legend.
This exuberant, lo-fi production, adapted for the stage by Hilary Bell, with her father John Bell as Scrooge, is a delight.
Haydn specialists and a theatrical giant give us a life well imagined.
Artistic Director Kip Williams shares his insights into a season that is dominated by Australian work, with six world premieres and four commissions.
John Clark's new memoir analyses NIDA's profound impact on Australia's arts and culture. In this extract, he discusses the 1970 staging of The Legend of King O'Malley at Jane Street Theatre.
The Australian Haydn Ensemble has announced its 2022 concert program, celebrating its tenth anniversary with its biggest-ever season.
A brand new musical and the return of plays thwarted by COVID, not to mention a new home, make for a season of love and reunion for Bell Shakespeare.
The six productions include the return of The Picture of Dorian Gray, a collaboration with Bangarra Dance Theatre and the STC debut of drag star Courtney Act in Noël Coward's Blithe Spirit.
John Bell investigates the quality of leadership, taking Shakespeare as his guide.
Jessica Arthur has adapted and directed this American script for an Australian audience with warmth, wit and impeccable pacing in this Sydney Theatre Company production.