This stage adaptation of Cassavetes' film is skilfully reimagined, but lacklustre performances counteract the building tension.

The MTC returns with a beautiful, surprisingly subtle take on Shakespeare’s comedy.

Combining contemporary and traditional dance, Bangarra's first full-length work in three years is stunning on every level.

Kate Mulvany's new play based on Ruth Park's classic children's novel, set in The Rocks, is the perfect way to reopen the refurbished Wharf.

Kip Williams' dazzling stage adaptation of Oscar Wilde's gothic melodrama, brilliantly performed by Eryn Jean Norvill, speaks to the here and now.

Angus Cerini’s new play about an unsolved double murder, is atmospherically staged and brilliantly performed by Hugo Weaving and Wayne Blair.

With Johnny Carr and Geraldine Hakewill shining in the central roles, Simon Phillips' production is the real deal.

This triple bill to celebrate the company's 30th anniversary includes past Bangarra works and Stamping Ground by Jiří Kylián.

Zahra Newman and Hugo Weaving give dazzling performances, but the production doesn’t entirely hit home.

Lucy Kirkwood's latest sees an excess of themes redeemed by emotional truths.

The musicals Muriel's Wedding and Beautiful, and Bangarra's Bennelong lead the charge at the Act I presentation.

Andrew Upton manages to make Beckett his own in this darkly comic take on the apocalypse. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in