CD and Other Review

Review: PUCCINI: La Boheme (Opera Australia, Takesha Meshe Kizart, Ji-Min Park)

Gale Edwards’s provocative staging of La Bohème, set amid the glamour and decadence of 1930s Berlin, was a visual feast. Anyone in want of a souvenir will thus probably prefer the DVD incarnation of this performance, but Opera Australia has covered all its bases just the same, and released it on CD as well. Recorded live in the acoustically frustrating Opera Theatre of the Sydney Opera House, this Bohème won’t delight audiophiles – the orchestra in particular sounds much more distant and tinny than it deserves – but the energy of live performance has been well captured, applause and all. As Mimì, Takesha Meshé Kizart sings with opulent voice and tremulous emotion. Her delivery is at times too mannered and grandiose, but all in all she taps effectively into the character’s sweet, passionate nature. Ji-Min Park brings ardent, youthful energy to Rodolfo, but his slender voice tends to sound pressurised, especially in moments of high volume or tessitura. The rest of the cast consists of familiar ensemble faces, with José Carbó’s Marcello as always a thing of vivid and idiomatic beauty. Taryn Fiebig is less convincing as the coquettish Musetta, however, and while Shane Lowrencev and David Parkin are solid…

June 14, 2012
CD and Other Review

Review: The Best of Salvatore Licitra

Salvatore Licitra’s tragic death in a motorcycle accident last year hit the opera world hard. The tenor was one of his generation’s brightest stars, and at just 43 should have had a long and distinguished career ahead of him. Now Sony – with whom Licitra recorded a number of operas and solo albums – has released this 2-CD compilation in his honour. It’s a thrilling, poignant celebration of an artist in his prime, his voice bright, muscular and brimming with emotion. Most of the great Italian tenor repertoire is represented here – Verdi and Puccini dominate, along with various verismo favourites. From the bracing bravado of Di quella pira to a lovely Addio, fiorito asil, Licitra is in magnificent form. It’s repertoire he was born to sing: Cavaradossi, Canio, Manrico and all their brethren fit him ideally. The second disc shows Licitra’s lighter side, with selections from the album Duetto (with tenor Marcelo Álvarez) and previously unreleased recordings of Italian songs. Clearly aimed at the crossover market, the duets are on the syrupy side, but the quality of the singing is exceptional. Better yet are Licitra’s charming renditions of songs like Funiculi funiculà and O sole mio, sung with unmistakably…

April 26, 2012