Review: Rachmaninov, Elgar: The Bells, Falstaff (Royal Philharmonic Orchestra & Chorus, Vasily Petrenko)
Petrenko’s dynamism gets new partnership off to a flying start
Petrenko’s dynamism gets new partnership off to a flying start
Wong delivers a finely wrought Mahler Second.
Ólafsson circles late Beethoven with typically revelatory results.
A powerful and beautiful tribute to the victims of a war Australia won’t talk about.
Plenty of pleasures to be welcomed in this Purcell tribute.
Dutch trio goes Hungarian to celebrate the work of three friends.
Rob Hao’s impressive debut gives a nod to Schubert.
From Edwardian splendour to 21st-century edginess, Tetzlaff conquers it all.
Among the ranks of the forgotten, a genuine find, splendidly presented.
Martín and his Melbourne forces revel in the familiar and unfamiliar.
Porpora’s battle of the castrati scrubs up nicely.
Wilson and Walton: a meeting of minds.
Clarke’s full Monty proves an eclectic revelation.