In this month's column, Greg Eldridge calls for companies to be more transparent about production budgets and for critics to report them, especially given the expense of COVID safety requirements in the theatre.

Known for his visionary, striking productions, Damiano Michieletto returns to Opera Australia with a new take on Offenbach’s The Tales of Hoffmann, which starts with Hoffmann as an old man in a bar, then travels through different episodes in his life.

A glimpse of what opera could become post-COVID, as the artform embraces drive-ins, livestreams, virtual reality and digitally augmented live performances.

A glimpse of what opera could become post-COVID, as the artform embraces drive-ins, livestreams, virtual reality and digitally augmented live performances.

Britain welcomes back art lovers, but the roadmap to normality looks increasingly uncertain.

Find out what's on stage and streaming online in December from Limelight editors Jo Litson, Angus McPherson and Clive Paget.

Find out what's on stage and streaming online in November from Limelight editors Jo Litson, Angus McPherson and Clive Paget.

Superbly sung and beautifully acted, even if the concept remains somewhat impenetrable.

For week two, Clive Paget travels from his living room to New York, London, Berlin and back to Oz.

Angel takes wing as Donizetti’s lost opera is revisited at last.

The Canadian bass, a regular collaborator of Joan Sutherland's, has died at the age of 90.

Benjamin’s anticipated Written on Skin follow-up proves no anti-climax.