Lim reiterates the importance of programming women composers; Sydney Con introduces a new composition prize for women.

Pianist Kathryn Selby is joined by a raft of old and new friends in an excitingly diverse season. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Hal Prince will oversee the original Broadway and West End production at the Sydney Opera House next year.

The pianist talks about the challenges of Rachmaninov, surrendering to the music, and being one with the orchestra. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

“The Artist and the Pervert” tackles the complexities of Georg Friedrich Haas’ dominant-submissive marriage.

Classical music will be played in a troubled London housing estate to disperse troublemakers and calm residents.

In Sydney for Parsifal, Kaufmann talks about Wagner, upcoming roles, and his withdrawal from The Met’s Tosca.

This year’s hopefuls have submitted proposals that look to take classical music in fresh directions.

For the English pianist soon to tour Australia, Schubert is like wine – he gets better and better with age. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

His Bach Cello Suites has been recognised at the AIR Awards, as was James Morrison and Don Burrows’ In Good Company. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Kosky praised for embracing the opera's complexities; Domingo and Alagna part of Bayreuth's 2018 programme.

The London-based Australian violinist talks about playing with the Sydney Youth Orchestra again after her time abroad. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in