Illuminate Adelaide announces 2022 program
2022's festival is nearly double the length of last year's, with the organisers able "to invite a lot more international artists to come and play with us."
Patricia Maunder has been an arts journalist since the 1990s, interviewing the likes of Sir Andrew Davis and Renée Fleming, and contributing to publications such as The Age and Opera (UK). Based in Melbourne, she’s passionate about opera, theatre and anything Baroque.
2022's festival is nearly double the length of last year's, with the organisers able "to invite a lot more international artists to come and play with us."
Brisbane’s contemporary circus company defies genres with this thrilling and contemplative new work.
A welcome revival of Weill and Brecht’s follow-up to The Threepenny Opera.
This neo-noir story jumps between decades but doesn’t take flight as theatre.
A rich, authentic adaptation of the short story made famous by Streisand’s musical movie.
This ferociously funny satire reveals uncomfortable truths about white privilege.
A Sri Lankan-Australian playwright drops some awkwardly funny truth bombs.
It's third time lucky for the long overdue Australian premiere of the classic rock opera.
Why Finnish concert pianist Paavali Jumppanen was drawn to ANAM.
Melbourne’s opera year begins with an impressive second instalment of Wagner’s Ring Cycle.
Sarah Goodes directs this intimate new play about three generations of women.
This play dares to climb a mountain, but stumbles over life’s big questions.
Colourful, quirky, energetic and fast-paced, this Comedy of Errors is an enjoyable romp for most ages.