Review: Catrin Finch and Seckou Keita (Utzon Music)
Two seemingly different worlds coalesce in music.
March 9, 2020
Review: Dohnányi: Piano Quintets, String Quartet No 2 (Marc-André Hamelin, Takács Quartet)
Conservative’s music emerges as shapely and consistently engaging.
March 5, 2020
Review: Where Song Began (Simone Slattery, Anthony Albrecht)
At last, here's a CD that certainly is for the birds.
March 5, 2020
Review: Beethoven: Complete String Quartets (Miró Quartet)
Texans bring fresh ideas to chamber music’s mighty 16.
March 5, 2020
Review: My Time Is Now (Haerim Elizabeth Lee, Alex Brown)
To paraphrase Gertrude Stein: Heifetz is Heifetz is Heifetz.
March 5, 2020
Review: Bartók • Korngold: Piano Quintets (Piers Lane, Goldner String Quartet)
Two (near) contemporaries make surprising bedfellows.
March 5, 2020
Powerhouse pairing
Erin Helyard on getting HIP with Richard Tognetti.
March 5, 2020
Review: Mozart & Beethoven: Violin Sonatas (Richard Tognetti & Erin Helyard)
HIPster Mozart and Beethoven at its finest.
March 5, 2020
Review: A Tale of Two Cities (Selby & Friends)
Exciting performances of Stravinsky and Arensky kick off Selby & Friends' 2020 in style.
March 4, 2020
Review: Haveron, Breider, & Clerici with Daniel de Borah (Musica Viva Tasmania)
An evening of chamber music filled with passion, virtuosity, romance and sheer exuberance.
March 4, 2020
Review: ACO Underground (Australian Chamber Orchestra)
The ACO assembles a starry line-up for a concert spanning Bach to Nine Inch Nails.
March 3, 2020
Stripping back Handel’s Messiah
Sam Allchurch, AD of Sydney Chamber Choir, discusses staging the Messiah with chamber forces similar to those that Handel had at his disposal.
March 3, 2020
Everything flows at this year’s Music by the Springs Festival
We report from the third festival at Hepburn Springs where the audacity of Artistic Director Stewart Kelly is well and truly paying off.
March 2, 2020