Clive Paget caught up with violinists Catherine Manson and Michael Gurevich to find out what’s so special about Haydn’s Op. 76, quartets and what a historically informed approach brings to the composer.
A Steve Reich survey shows old-school Minimalism still packs a punch.
Two satisfying solutions to the perennial problem of writing a piano trio
For its first concert of the year, the Omega Ensemble unleashed a torrent of sound in three concertos, two of which were commissions.
Kathryn Stott unveils her final program as Artistic Director, postponed after the cancellation of the 2020 festival.
Weinberg’s string quartets get the Arcadian treatment.
Inventi Ensemble steps up to break the silence of a COVID lockdown.
The great Dane gets a new outing.
A master cellist delights with refined and elegant playing.
Musicians Simone Slattery and Gabriella Smart have created aural responses to the Clarice Beckett exhibition at the AGSA, leading to live performances and a recorded soundscape in the Gallery.
The media executive and composer reveals the myriad threads weaving through his program for Adelaide Festival's Chamber Landscapes at UKARIA.
SXS's season opener with Slava Grigoryan proved an amiable, enjoyable concert with a fascinating new work for guitar and chamber orchestra by Natalie Nicolas.
The ANAM Set will see 67 Australian composers write six-minute works for 67 ANAM musicians. Pairing them will be like a Tetris game, but exciting, says Creative Coordinator Leigh Harrold.
