The German bass cherished for his Wagnerian singing has died at 92.

Australians make a strong case for Saariaho’s well-travelled oratorio, but can’t entirely overcome the work's curiously dissatisfying nature.

After success abroad, the singer has received a $25,000 grant for artistic development.

A cast of uncommon distinction headed by Joyce El-Khoury's powerful Mimì makes this revival feel anything but routine.

Director Imara Savage talks about the challenges of staging the Australian premiere of Kaija Saariaho’s strange, contradictory oratorio about the life of French philosopher and mystic Simone Weil.

We reveal our 2018 Artists of the Year. Other features include The Magic Flute, Meryl Tankard's Two Feet and Australian Brandenburg Orchestra at 30.

Inside this issue: 2018 Artists of the Year, The Magic Flute, Meryl Tankard's Two Feet, Australian Brandenburg Orchestra at 30, Leonardo Da Vinci 500.

The Lebanese-Canadian soprano tells us about her musical friendship with Lorin Maazel, singing Mimì and Musetta, and bringing to life rarely performed works.

With his production of Wozzeck opening at Opera Australia alongside two Sydney exhibitions, renowned artist William Kentridge talks about working between the studio and the stage, and how to coax ants into artwork.

Australian Heldentenor du jour commits signature works to disc.

The internet has been thoroughly impressed by one baritone’s Rossinian rhapsody.

The former Opera Australia chorus member has been sentenced to three years in prison for sexually assaulting a 14-year-old girl.