Review: The Queen of Spades (Metropolitan Opera, New York)
Lise Davidsen's debut excites, but Vasily Petrenko and Yusif Eyvazov also shine in Tchaikovsky's tale of terror.
Lise Davidsen's debut excites, but Vasily Petrenko and Yusif Eyvazov also shine in Tchaikovsky's tale of terror.
Melbourne Symphony Orchestra was a formidable music force under outgoing Chief Conductor Sir Andrew Davis.
The mezzo-soprano takes home a purse of over $30,000, which will allow her to advance her career overseas.
Ahead of its new production of Gianni Schicchi, we talk to founder Melanie Smart about bringing opera to the Gold Coast.
Superlative singing and David McVicar’s lavish, clever production make a heavenly match.
Meredith Daneman reports from the recital at which the retired Australian ballerina received the inaugural Queensland Agent-General Award.
Following the success of the first ever performance in 2019, Opera Australia will return to Uluru from December 11 to 13 with an even bigger program.
San Francisco Ballet’s HR Director Darin Conley-Buchsieb explains how changing arts culture can lead to larger audiences – and more authentic art.
Graeme Murphy’s much-loved production returns, with American soprano Lise Lindstrom in the title role.
John Wegner’s stellar career as a Wagnerian baritone took him all over the world, before illness forced his untimely retirement. Clive Paget meets the local boy who conquered Bayreuth.
The Australian Heldenbaritone was a noted Wagnerian and leading singer at Bayreuth.
Get to know soprano Laura Wilde ahead of her debut Down Under in the Melbourne Symphony Orchestra’s Hansel and Gretel.
The conductor tells us about his Tristan und Isolde, Limelight's Opera Recording of the Year 2019, and what's next on his bucket list for WASO.