Meet the next generation of classical music stars, learn what changes at mainstage venues mean for the industry, an interview with Nina Stemme and more.

David Robertson and a fine cast deliver a detailed reading of Gershwin's masterpiece that should silence naysayers.

Possessed of a radiant, sumptuous voice, the legendary soprano was 74 years old.

An Australian creative team is behind the controversial production, which stars Pretty Yende as an Internet sensation, influencer and fashionista.

Performance spaces are being redeveloped and built all over the country. Steve Dow charts the changes happening to mainstage venues, and explains what this flurry of architecture will mean for classical music and the performing arts.

The opera star, who has been accused of sexual harassment by multiple women, has withdrawn following the dress rehearsal of Macbeth, which he considers his final performance on the Met stage.

Kirsten Flagstad revisited, Marriner’s pre-HIP Bach and DG’s Ozawa box.

The New Zealand tenor has taken out the major prize at the IFAC Handa Australian Singing Competition.

Recording WASO’s concert performance of Tristan und Isolde with Asher Fisch and Stuart Skelton was a huge challenge, says producer Virginia Read, but also a once-in-a-lifetime experience.

Bel canto specialist Helena Dix leads Norma’s long awaited return to Melbourne.

Philippe Jaroussky was one of the first countertenors to meet with international stardom. He tells Mélissa Lesnie about his new album, conducting his first opera, and passing on what he’s learned.

New songs by Brenda Gifford, a performance piece inspired by the life of experimental pianist Margaret Leng Tan and six new Australian operas are among the projects funded.