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Classical Music, Orchestral
Live Review

Review: Britten’s War Requiem (West Australian Symphony Orchestra)

Conductor Asher Fisch led more like a general heedless of his own safety in this magnificent reading of one of the 20th century’s most profound compositions.

August 20, 2022
Classical Music, Orchestral
Live Review

Review: Ray Chen: Mendelssohn’s Violin Concerto (Sydney Symphony Orchestra)

Cool, charming and charismatic, Chen dazzles with his fourth Strad.

August 19, 2022
Classical Music, Festivals, Opera, Orchestral
features

Australian soloist debuts in Bayreuth

Rixon Thomas reflects on becoming the first Cor Anglais player to ever take a bow in front of the Bayreuth curtain at this year's festival on the Green Hill.

August 19, 2022
Instrumental, Orchestral
Live Review

Review: Scream Star (Speak Percussion)

Speak Percussion's hybrid of prog rock, funfair and performance art is sure to please connoisseurs and the uninitiated alike.

August 19, 2022
Classical Music, Instrumental, Orchestral
news

Australian World Orchestra and Melbourne Conservatorium announce partnership

The new arrangement will enable students to collaborate with the AWO's leading musicians and learn from their international expertise.

August 19, 2022
Chamber, Classical Music, Orchestral, Vocal & Choral
news

The late Nigel Butterley awarded for Distinguished Services

The pioneering Australian composer, who died earlier this year, will be recognised with a posthumous award at the Art Music Awards.

August 18, 2022
Classical Music, Dance, Orchestral
news

Adelaide Festival announces its 2023 centrepiece

Christian Spuck's staging of Verdi's Messa da Requiem, featuring Ballett Zürich and Australian performers, will have an exclusive season in Adelaide.

August 17, 2022
Chamber, Circus, Classical Music, Dance, Festivals, Instrumental, Jazz, Musical Theatre & Cabaret, Opera, Orchestral, Stage, Theatre, Visual Art, Vocal & Choral
news

Australia Council releases report on the impact of COVID-19 on the arts

Cautious optimism suggests the ravaged industry is making a comeback, but improved attendance is contingent on low transmission risk.

August 16, 2022
Classical Music, Orchestral
Live Review

Review: Stravinsky’s Ballets (Melbourne Symphony Orchestra)

The combined forces of MSO and ANAM under Chief Conductor Jaime Martín delivered a revelatory performance that brought the audience to its feet.

August 15, 2022
Chamber, Circus, Classical Music, Dance, Festivals, Instrumental, Orchestral, Stage, Theatre, Vocal & Choral, World
news

Aussies take Edinburgh by storm

As the Edinburgh International Festival celebrates its 75th anniversary alongside the concurrent Edinburgh Fringe, it hosts the largest contingent of Australian artists in its history.

August 12, 2022
Books, Classical Music, Dance, Festivals, Film, Instrumental, Orchestral, Stage, Theatre, Visual Art
news

OzAsia Festival launches 2022 program

Led by Artistic Director Annette Shun Wah, OzAsia Festival returns to the Adelaide Festival Centre in October with over 500 artists across 50 events and 10 world premieres.

August 12, 2022
Classical Music, Orchestral
Live Review

Review: The Crowd & I (Australian Chamber Orchestra)

As the world resets, Tognetti makes a compelling statement about the fragility of life on Earth in this concert with striking video imagery.

August 11, 2022
Chamber, Classical Music, Instrumental, Orchestral
Live Review

Review: Beethoven’s Eroica (Australian Haydn Ensemble)

This fine concert featuring chamber arrangements of works by Wranitzky, Mozart and Beethoven provided a taste of live performances before the dawn of recorded sound.

August 9, 2022

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