The West Australian Orchestra, conductor Asher Fisch and soloists Elena Perroni and Adrian Tamburini navigated Brahms' German Requiem beautifully.

Our Recording of the Month for July comes from American conductor Robert Trevino and the Basque National Orchestra, a remarkable album of orchestral works by Ravel. He talks to Clive Paget about the importance of the composer’s heritage and why this orchestra is uniquely placed to bring out the Basque in Ravel.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

This year’s APRA Professional Development Award winners include composer Connor D’Netto, and musical theatre writers Hugo Chiarella and Naomi Livingston.

This was an elegant, well-programmed concert by Canberra Symphony Orchestra, with the world premiere of Kim Cunio's CO2 and the Ice Core the clear highlight.

This generous, well-chosen overview of Australian composition by women, curated by Anne Cawrse for Adelaide Symphony Orchestra's She Speaks, was eloquently and sympathetically played.

Founded by Hans Zender, the Happy New Ears Prize for Composition has been awarded to composer and academic Liza Lim.

The organisers of Musical Chairs: The Administrators Orchestra discuss their audacious plan to shake up the arts admin industry.

This Sydney Symphony Orchestra concert is the last chance for a while to hear cellist Umberto Clerici, before he takes up the baton full-time.

Didgeridoo virtuoso William Barton discusses his world premiere for Queensland Symphony Orchestra and his performances at Illuminate Adelaide and the Australian Festival of Chamber Music.

Despite Grieg's blockbuster becoming a white-knuckle page turner, Piers Lane gave a magisterial performance with the Sydney Symphony Orchestra.

The composer reveals how a recording of an ice core melting broke his heart and inspired this piece of music.