Review: Wilfrid Gordon McDonald Partridge (Australian Chamber Orchestra, Sydney Opera House)
Wilfrid Gordon McDonald Partridge captures young audiences and ignites what will hopefully become a lifelong appreciation of the performing arts.
Wilfrid Gordon McDonald Partridge captures young audiences and ignites what will hopefully become a lifelong appreciation of the performing arts.
A varied concert of music and dance that embraced past, present and future.
An extraordinary performance by William Barton and Véronique Serret.
Three Mozart concerts at the Canberra International Music Festival create curiosity and intrigue.
To encourage developing organists it makes sense to have low-maintenance and flexible instruments that are readily heard and available to listen and learn from, says newly converted Daniel Brace.
Small (and breezy) is beautiful for an evening of romance and class.
A nimble reading of Mahler's Fourth Symphony by Umberto Clerici and an orchestra in top form.
Digital opera finally comes to Melbourne with this feast for eyes and ears.
Ten composers will receive $5000 each from the Fund, which is presented by the APRA AMCOS and the Australian Music Centre's Art Music Fund.
The High Renaissance choral specialists were in superb voice to celebrate one of their heroes.
Deborah Cheetham and David McAllister will both receive a 2020 JC Williamson Award today, while Jill Smith and Ann Tonks share the Sue Nattrass Award.
Hamed Sadeghi and Steven Oliver discuss their performances in the latest UnWrapped program, which includes First Nations cabaret, contemporary dance, Iranian-influenced jazz, Irish-Danish folk and innovative digital performance.
Composer Emma Greenhill will work with the winning choreographer on a new dance work set to premiere in 2022.