JoAnn Falletta on tackling Respighi’s Roman triple threat
The American conductor tells us about swapping guitar for baton, what recording can do for an orchestra, and her new Respighi disc, which is Limelight's Recording of the Month in April.
The American conductor tells us about swapping guitar for baton, what recording can do for an orchestra, and her new Respighi disc, which is Limelight's Recording of the Month in April.
She came, she saw, she conquered: JoAnn Falletta sets light to a dazzling Roman candle, and what’s more at bargain price.
An all-too-rare perfect recital given by a formidable musician.
Before unleashing his new concerto with the MSO, clarinettist-composer Paul Dean talks about the musicians that inspired it.
You, our readers, share the performances you’ve loved (or hated), the music you’re listening to and the issues facing our industry.
The greatest voices of all time. Why women in the ballet industry are at a turning point. Charlie Chaplin's secret life. Andreas Ottensamer. Bach.
The bass was a student of Rosa Ponselle and a vocal coach for Opera Australia.
The young violinist will travel to Israel to take part in the Keshet Eilon International String Mastercourse.
Early Debussy in a sparkling survey by Vitaud and friends.
Framing Bach within a broad context that works for everyone.
A walk on the wild side – a minor English composer gets a major new release.
When intimate goes epic: Gillham glows in Bach originals and transcriptions.
Rondeau’s eccentricities strike again in Scarlatti solo recital.