Guillaume de Machaut was the finest composer of the 14th century. Antony Pitts, Artistic Director of The Song Company, explores one of his most extraordinary manuscripts.

Warhorses come up fresh in Steinbacher and Ashkenazy’s hands.

Life looks busy for the young conductor with new positions at Sydney Chamber Choir, Christ Church of St Laurence, and Gondwana Choirs.

In his new work for the Australian String Quartet, the composer holds a mirror up to the form made famous by Joseph Haydn.

In preparing to stage an operatic version of Kafka’s Metamorphosis for Opera Australia, the director has been pondering what this story of a man who turns into a bug really means.

Hewitt’s latest batch of Beethoven is as tasty as ever.

Benjamin Alard embarks on a project of a lifetime.

Festival Director Allanah Dopson and harpsichordist Erin Helyard give us a taste of the upcoming festival, now in its second year.

No need to fret with fine performance of Jacobean consorts.

A 75th birthday tribute, lovingly done by all concerned.

Sonata repertoire enhanced by three individual new works.

Some more cutting edge Haydn from a crack British outfit.