Review: Goldberg Variations (Australian Chamber Orchestra)
The ACO revels in the joyful complexities of Bach’s legendary Goldberg Variations.
The ACO revels in the joyful complexities of Bach’s legendary Goldberg Variations.
Over the past two decades, Australian Heldentenor Stuart Skelton has quietly conquered the operatic world. He reveals how he discovered he wasn’t vocally bulletproof, and admits to an ambition to run an opera house.
The AFCM bids a fond farewell to Kathryn Stott's first Festival as Artistic Director in a lavish, three-act gala.
In our second In-Depth column, Chris Latham, artist-in-residence at the Australian War Memorial, explores the cultural losses of WWI ahead of The Lost Jewels concert at the NGA.
Erin Helyard gives us masterworks from Monteverdi and Vivaldi, as well as two recitals with an Australian premiere to whet the appetite.
The MSO hits its stride in an entertaining Town Hall concert.
At long last, Joseph Twist's setting of text by British Cardinal John Henry Newman will receive its world premiere.
A birthday celebration with plenty to sing and dance about.
The Australian heldentenor enthrals audiences with a recital, memories of which will remain indelible.
An intriguing Australian premiere with assured accounts of old favourites.
Musical love notes written in everything from chansons to tango – and an eight-cello Tristan.
The soprano has withdrawn from the orchestra’s hotly anticipated presentation of Tristan, which was to have featured Stuart Skelton and Westbroek in the title roles.
We caught up with the Norwegian trumpeter in Townsville for the Australian Festival of Chamber Music in Townsville.