Riccardo Massi’s new Radamès for Opera Australia
The spinto tenor is embracing the chance to take a new look at Verdi's opera, with Davide Livermore directing a digitally staged production.
The spinto tenor is embracing the chance to take a new look at Verdi's opera, with Davide Livermore directing a digitally staged production.
Two WASO debuts impress in this satisfying concert of two favourites and an Australian premiere.
An enthusiastic dog became the main event at a recent recital in Brazil.
Bangarra's Bennelong leads the pack, with Muriel's Wedding, Beautiful: The Carole King Musical and Brett Dean's Hamlet close behind.
In the wake of his death, we revisit a wonderful, wide-ranging interview that Andrew Ford did with the British composer/conductor in Aldeburgh in 1992.
This July marked the centenary of Ingmar Bergman’s birth. Albert Ehrnrooth looks at the role classical music played in his films and theatre from The Magic Flute to Fanny and Alexander.
Following examples set in the natural world, Guy Noble says goodbye to Facebook and Mark-T-shirt-wearing-Zuckerberg.
The Scottish pianist will tour Australia performing chamber music, solo recitals and a new concerto. He talks to Clive Paget about his omnivorous appetite and musical passions.
Amy Beach left a legacy of hugely accomplished works, but, asks Anthony Burton, did the social conventions of the era in which she was living stifle her true potential?
Joyce Yang brought a sense of playfulness and whimsy, along with her virtuosic technique and exceptional musicianship, to her recital for Musica Viva.
The twin titans fell out of bromance thanks to a withheld score and a milliner’s letter.
The South-Korean pianist discusses her first solo recital tour in Australia and how she’s getting to grips with a challenging world premiere.
We caught up with the trio, fresh from their win at the Melbourne International Chamber Music Competition.