Guy Noble’s Soapbox: Sorting out the sheep from the geese
Children may not all have the voices of angels, but perhaps torturing the young is killing off the audiences of the future.
Children may not all have the voices of angels, but perhaps torturing the young is killing off the audiences of the future.
Listeners generally preferred new instruments over Stradivaris in the largest ever blind testing experiment.
The French pianist loved the classics before discovering the Stones; 40 years after his first disc he still straddles both worlds.
The TSO and UTAS have launched the programme, which looks to the next generation of conductors.
Timothy Sexton, also the company’s chief executive and regular conductor, has stood down citing personal reasons.
A lifetime's experience served up in two hours of musical heaven.
Off to study in Wales, mezzo-soprano Bronte Zemlic talks to Limelight about winning the award and where she goes from here.
Lyricism and subtlety in a programme that favoured tranquility over excitement.
Despite a trio of nominations, including the Opera Australia Chorus, the predominantly European jury chose their own.
In the debate on the value of recorded accompaniments, accompanist Peta van Drempt is definitely in the 'for' camp.
Very much a Renaissance man, the violinist talks about life, thinking outside the box and his hopes and fears for all of our futures.
Like the best festival programmes, this is one to provoke debate and disagreement.
The arts sector is up in arms over management proposals to decimate arts coverage at SMH and The Age.