“Virginia Woolf’s work is so rich,” says Max Richter
The composer speaks to Clive Paget about his new album of music for Wayne Mcgregor's ballet Woolf Works.
The composer speaks to Clive Paget about his new album of music for Wayne Mcgregor's ballet Woolf Works.
Ahead of his Musica Viva Festival, the Artistic Director talks about the allure of intimate performer-audience relationships.
From busker to band leader, meet the young gun turned experienced hand.
Alan Gilbert accuses the "really horrible" President of playing on people’s fears and lying as a political strategy.
Musica Viva's AD and the Sydney Symphony Orchestra’s Director of Learning share their views on the furore.
Harry Potter and the Cursed Child breaks records at the 2017 Awards, while Minchin's Groundhog Day wins Best New Musical.
Rock solid a cappella mastery in a thoughtful programme by Sam Allchurch.
William Barton left the audience deeply moved by an experience that had touched them to the core.
A fine outing of an underappreciated Passion – with a new HIP band to boot.
Symphony for one: Mahler’s song cycle gets the full Kaufmann treatment.
The soprano brings her Mimì to the London stage, while Aussies fill out the ranks of the Covent Garden season.
Ahead of her performance in Two Weddings, One Bride, the singer nominates three musicals she'd happily never hear again.
The educator and conductor says the notion that teaching musical notation to children is elitist is “a strange idea indeed”.