In an excerpt from his highly anticipated Platform Paper from Currency House, the cultural economist explores the issue of international engagement in a revisited cultural policy.
The French-Canadian mezzo-soprano was best known as a recording partner of Joan Sutherland's, and considered something of a cult diva by fans.
Cellist Hilary Kleinig talks about creating the score for a theatre work, The Aspirations of Daise Morrow, based on Patrick White’s short story Down at the Dump.
The Moscow-born, Adelaide-raised guitarist reflects on his earliest musical memories, recalls performing in Julian Bream’s shed, and passes on tips for any recently graduated musicians.
Bree van Reyk, Connor D’Netto, Rae Howell and Julian Day are among the recipients in the Fund’s third year.
The decision comes after the Awards faced a backlash, including from artists such as Daniel Barenboim, Mariss Jansons and the Leipzig Gewandhaus, for recognising a rap duo whose works have been deemed anti-Semitic.
Her crush started early, but she really fell for the man while working with him at Tanglewood. Here she tells Clive Paget about the Lenny she loved.
Music journalist, Limelight contributor and founder of CutCommon, Stephanie Eslake has been recognised for her contribution to the arts.
After observing Riccardo Muti and the Chicago Symphony Orchestra rehearse in New York, Editor at Large Clive Paget was invited to his hotel to interview the patriotic Italian conductor, who is coming Down Under to conduct the Australian World Orchestra.
The 12 musicians will go on to perform at City Recital Hall in July, competing for a chance to perform in the Finals with the Sydney Symphony Orchestra.
The Radio Symphony Orchestra Stuttgart violist talks about the joys of coming home ahead of chamber and orchestral concerts with the Australian World Orchestra.
A love letter to the Norwegian capital brings pleasing results.
A fine debut of little-heard repertoire for the baroque cello.
