Review: Review: Petrushka (Sydney Symphony Orchestra)
★★★★☆ Robertson and the SSO revel in all the fun of Stravinsky’s fair.
★★★★☆ Robertson and the SSO revel in all the fun of Stravinsky’s fair.
★★★★☆ Audacious programming pays off in this memorable Guitar Festival highlight. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The outspoken conductor, pianist and activist unveils his online plans.
In a diverse 2017 season, cinema and Americana rub shoulders with classical masters and contemporary voices.
Ahead of their 2016 concerts, Jonathan Bekes explains his tips to get ahead and his love affair with Jacqueline Du Pré.
Currently playing Malvolio, the actor’s performing career began as a child, singing whenever he got the chance. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Helen Gifford OAM heads the diverse list of artists and their notable works rewarded in Melbourne. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In his first year as sole Artistic Director, Erin Helyard offers Rameau and Monteverdi with an Aussie premiere for good measure. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Sydney Symphony Orchestra’s maestro has a cunning plan to untangle the puppet who would be human. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Carl Vine announces a “fantastic year of debuts” for the 2017 season along with the return of some audience favourites.
Choral and movie blockbusters, plus top soloists headline the 2017 season, while Sir Andrew Davis conducts Thaïs.
The only international competitor of the 2016 competition’s seven finalists delivered standout performances.
Jack Symonds’ smart score renders Dostoyevsky intelligible for the 21st century.