The popular musician and educator is set to follow in Paul Stanhope’s footsteps from 2015. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ray Chen wins hearts and minds with Shostakovich while Matheuz has a few idiosyncratic ideas on offer. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
This model of a modern Butterfly soars as art and spectacle combine on Sydney Harbour.
Sixteen classics left in a head to head slug out for top piece of music. Your vote counts. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Let’s hope that the news of Handa Opera’s demise has been greatly exaggerated. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Finale of Perth International Arts Festival saw WASO in fine form in video game soundtracks and Machover’s A Symphony for Perth. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
An auspicious start to WASO’s 2014 season and Fisch’s tenure as Principal Conductor. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Obscure repertoire proves an unexpected treat in Omega Ensemble's collaboration with James Crabb.
Catching up with one of the hottest young conducting talents who’s making waves on Australian shores. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Being born in the home of opera buffa has its advantages but, as the titular hero of The Turk in Italy found, a laugh’s a laugh in any language Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Musica Viva’s twitterati tell all on the Sitkovetsky Trio’s Australian tour. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Canberra and Darwin Symphony Orchestras are on the rise, thanks to their dynamic young maestros.
How did war-wounded pianist Paul Wittgenstein persuade Ravel, Britten and Prokofiev to write pieces for his left hand? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
