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Classical Music, Opera
features

Bruce Beresford: Verdi’s Otello is not the only one

Ahead of directing the Australian premiere of Rossini’s Otello, the legendary director waxes lyrical about the qualities of this overlooked masterwork.

October 15, 2018
Classical Music, Opera
Live Review

Review: Sketches from Frankenstein (The Angel’s Share, Brooklyn)

Whiskey and opera: the perfect combination for a chilling site-specific performance in a cemetery.

October 13, 2018
Classical Music, Opera
Live Review

Review: Pelléas and Mélisande (Victorian Opera)

Victorian Opera celebrates the centenary of Debussy’s death with an accomplished production of his only, highly enigmatic opera.

October 12, 2018
Classical Music, Opera
CD and Other Review

Review: Gluck: Orfeo (Philippe Jaroussky, I Barocchisti/Diego Fasolis)

Gluck’s Orfeo gets an Italian accent courtesy of Diego Fasolis.

October 11, 2018
Classical Music, Opera
CD and Other Review

Review: Verdi: Luisa Miller (Münchner Rundfunkorchester/Ivan Repušić)

Verdi’s early middle period gem gets a good polish.

October 11, 2018
Classical Music, Opera
CD and Other Review

Review: Handel • Vinci: Didone Abbandonata (Lautten Compagney/Wolfgang Katschner)

First recording of a Vinci opera preserved, all thanks to Handel.

October 11, 2018
Classical Music, Opera
news

Victorian Opera kicks 2019 off with a starry Parsifal

Wagner’s magnum opus is seen in a new production with an enviable cast, A Little Night Music hits the stage, and Jessica Pratt returns with star mezzo Daniela Barcellona in tow.

October 10, 2018
Classical Music, Opera
features

Reissues round-up: La Nilsson lives again

Decca’s Birgit box and another rare opera from Sony’s vault.

October 10, 2018
Classical Music, Opera, Theatre
features

Renée Fleming: Giving her regards to Broadway

Renée Fleming denies she’s calling time on her opera career, but she charmed in Carousel and has just released a Broadway album. As for taking on another musical theatre role, it’s a case of “stay tuned”.

October 9, 2018
Opera
Live Review

Review: You Mean the World to Me (Jonas Kaufmann, Carnegie Hall)

Despite some melting moments, Kaufmann's Viennese fancy leaves you wanting more.

October 7, 2018
Classical Music, Opera
news

Montserrat Caballé has died

Beloved for her interpretations of the bel canto repertoire, and the beauty of her voice, the Spanish soprano dubbed La Superba has died at 85.

October 6, 2018
Opera
Live Review

Review: Dido & Aeneas (State Opera of South Australia/Elder Conservatorium)

This youthful, celebratory take on the seminal work works well in its post-industrial setting.

October 4, 2018
Opera
features

Opera Philadelphia’s Festival 018

A round-up of this year’s boundary-challenging US Festival, staged in various venues including a rock club, a museum and a world heritage site.

October 2, 2018

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