The opera company, which will become a Major Performing Arts company from 2019, has secured a new home in West Melbourne.

In this second part of a two-part interview, the veteran bass speaks frankly about how the profession of singing has changed over his long career.

From Glyndebourne rehearsal room to triumphant opening night, British tenor Allan Clayton recalls the roller coaster ride involved in bringing Brett Dean’s complicated new Hamlet to life.

The company has also announced that Yarmila Alfonzetti will take up the role of Executive Director from March 1.

Local soprano Lee Abrahmsen leads a handsomely sung but theatrically underwhelming production of Wagner’s tragic love story.

Ahead of his Opera Australia debut as Don José, the Argentine tenor talks favourite sopranos, fantasy dinner guests, and guilty pleasures.

A new opera company run by young artists will have its first ever performance this month. We speak with tenor Spencer Darby about AOC's inception and Handel's Ariodante.

Shostakovich was 20 when he began writing The Nose. Barrie Kosky was around the same age when he fell in love with it.

The veteran stage director has been dismissed after a chorister made a complaint to the company.

This 18th-century musical party is full of colours and thrills.

Ill-judged, poorly executed: a waste of performers’ talents.

Hollywood movie classic gets an angelic operatic makeover.