Review: Lohengrin (Melbourne Opera)
Wagner’s swan makes a splash in Melbourne.
Wagner’s swan makes a splash in Melbourne.
“Tickets are much cheaper than for most major sporting fixtures” he points out ahead of Queensland Con’s L’enfant double bill. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
We look at how the cup of the Last Supper cast its spell over one of music’s great agnostics. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Classical music will be played in a troubled London housing estate to disperse troublemakers and calm residents.
Fine music making plumbs tales of hardship, trauma and dislocation.
In Sydney for Parsifal, Kaufmann talks about Wagner, upcoming roles, and his withdrawal from The Met’s Tosca.
In a season of ‘H’s’, Erin Helyard returns to his beloved Handel and finally gets to host some Johann Adolph Hasse.
The German soprano’s Meyerbeer disc is Limelight’s Recording of the Month for August 2017. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
After his triumph as King Roger, the Australian baritone is excited (and nerve-wracked) to perform with Jonas Kaufmann. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Two Wagner operas lie at the heart of the tenor's repertoire. We grilled him on all things Wagner ahead of his Aussie Parsifal.
Kosky praised for embracing the opera's complexities; Domingo and Alagna part of Bayreuth's 2018 programme.
The work in progress showing of Cat Hope's new experimental sound opera left one writer virtually speechless.
Passengers on an overnight train witnessed the world premiere of an opera inspired by items of luggage.