Roberto Alagna: My life is an opera!
Ahead of his Australian debut, we meet the French-born singer whose life has frequently resembled his chosen art form.
Ahead of his Australian debut, we meet the French-born singer whose life has frequently resembled his chosen art form.
The abridged cabaret version of Verdi’s tragic romance by Emotionworks will feature a professional pole dancer. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The British director reflects on the profound melancholy of Mozart’s most lyrical work. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Joseph Haydn was always a lively listen but 200 years after the composer’s death, Haydn's fresh and innovatory spirit matters more than ever.
The Czech mezzo-soprano talks about her new album and describes her life-long love affair with Monteverdi. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Why the master of comedy, John Cleese, is planning to debut Fawlty Towers Down Under. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★☆ Star turns (and zombies) help Haydn’s musical sorceress cast her spell. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
‘Flott’ reflects on her career, a lifetime partnership with Graham Johnson and how she felt winning the Legion d’Honneur. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Prokofiev’s fruity soufflé proves the perfect snack opera for today.
Why Opera Australia’s AD believes culture is just as deserving as rugby and more important than submarines. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★☆ Stuart Skelton earns top laurels as Wagner’s tortured hero. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
John Bell's 'Cuban' take on Bizet offers a lot to sing and dance about.
Opera’s self-confessed “new boy” talks about sexual tension, operatic frustrations and rolling with the punches. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in