Stuart Skelton: Have sword, will travel
As he prepares for his leading role in Opera Australia's new Ring, the Australian heldentenor talks Wagner.
As he prepares for his leading role in Opera Australia's new Ring, the Australian heldentenor talks Wagner.
International superstars, the finest Australian Baroque ensembles and a fully staged Orlando are among the highlights. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Stars of OA’s Ring Cycle pay tribute to the secret life of Miriam Gordon-Stewart’s grandmother.
Obscure baroque operas are common now, but this recording of Provenzale’s tragicomedy still wins points for novelty.
Late lamented singer leaves enough money to start the search for the next Turandot.
Opera Australia’s Brünnhilde talks about her rise to fame and fortune and Ring cycles old and new. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Jonathan Holloway's eclectic mix should have something for everyone plus a few fascinating surprises.
This early Prokofiev opera isn’t performed all that often. Although it is a fine, well-written work, it’s devoid of big tunes appealing primarily to those who are interested in sung drama rather than more conventional opera. Of course, we all know that the composer could write fabulous tunes, as the ballet scores and his Third Piano Concerto attest, but he was then in his revolutionary period as a young firebrand. In 2007 when I saw this production in St Petersburg I was impressed by the ‘sung play’ aspect of it all. It was very effective and at two hours, didn’t outstay its welcome. In this story, virtually everybody gambles in some way, not just the foolish Alexei, and the plot, set in a German spa, is an intricate ensemble of desperate or failing people. It’s more akin to Strauss’ Arabella than say, La Traviata, both regarded as top conversation operas, and with this well-oiled ensemble, it’s a delight. The direction is sensible and, happily for those of us watching it on screen, the acting is first class, with none of those close ups of singers glancing nervously at the conductor which mar so many video productions. The singing is marvellous,…
The respected helden baritone falls victim to Alberich's curse giving Warwick Fyfe a chance to steal the Rheingold.
Enjoy a cruise down the French Riviera with Roger Hodgman’s award-winning production. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Growing anti-Semitism in Hungary inspires opera from composer-conductor Ivan Fischer. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Never a timid performer, Netrebko opens her program at full throttle.
Sydney Festival unveils a program of diverse arts and eclectic collaborations.