Robyn Archer's show Mother Archer's Cabaret for Dark Times was musically satisfying and conceptually brilliant.

Samuel Beckett's play may be celebrating its 60th anniversary but it still feels as timely as ever in this production starring Belinda Giblin and Lex Marinos.

Tim Minchin shows yet again that he is an artist at the top of his game with his inspired, witty and moving cabaret show BACK.

David McAllister has received a Companion of the Order of Australia. Others recognised include Brett Weymark, John Kotzas, Peter Carroll, Linsey Pollak, Leah Purcell, Jonathan Biggins and Chris Hemsworth.

There is much to marvel at in L'Hôtel at the Adelaide Cabaret Festival but the show has structural issues.

Jessica Arthur has adapted and directed this American script for an Australian audience with warmth, wit and impeccable pacing in this Sydney Theatre Company production.

The new entrants mark the first time an organisation from the Northern Territory and regional organisations from Queensland, Western Australia and Victoria have been included in the NPAP Framework.

Back on stage after COVID interrupted its tour, the Australian production of Come From Away continues to charm as it arrives in Sydney.

American Psycho: The Musical’s horrifyingly funny critique of late-20th-century consumerism earns its revival.

Pamela Rabe is an unforgettable Ranevskaya in Eamon Flack's production of Chekhov’s last play for Belvoir.

The names of the 50 finalists for the APRA Professional Development Awards have been announced, including composers Connor D'Netto and Samantha Wolf, and musical theatre performer/writer Maggie McKenna.

Despite making redundancies last year, Opera Australia has posted a sizeable deficit. "It doesn't look pretty," says CEO Rory Jeffes, but he believes OA is now better placed to deal with further disruptions.