Review: Taming of the Shrew (Queensland Theatre)
An impressive adaptation, but Taming of the Shrew leaves its promise to “rescue this classic love story from the clutches of controversy” unfulfilled.
An impressive adaptation, but Taming of the Shrew leaves its promise to “rescue this classic love story from the clutches of controversy” unfulfilled.
Alice Chance and Joseph Newton discuss getting an aerial makeover with the Willoughby Symphony Orchestra in Chatswood.
Steve Dow looks at what the 2021-22 Federal Budget has in store for the arts industry after the horror year of the COVID-19 pandemic.
This production of Stephen Sondheim's masterwork is something truly special.
Outstanding premiere about life in an Australian country community.
Dogged is a bruising, brilliantly crafted work of contemporary theatre that demonstrates the work that can emerge when creative power is shared.
The playwright, whose Wonnangatta premiered last year starring Hugo Weaving and Wayne Blair, is this year’s recipient of Sydney Theatre Company’s $25,000 Fellowship, while Ra Chapman has won the Patrick White Playwrights Award.
Deborah Cheetham and David McAllister will both receive a 2020 JC Williamson Award today, while Jill Smith and Ann Tonks share the Sue Nattrass Award.
Hamed Sadeghi and Steven Oliver discuss their performances in the latest UnWrapped program, which includes First Nations cabaret, contemporary dance, Iranian-influenced jazz, Irish-Danish folk and innovative digital performance.
Fun Home is a beautiful, innovative musical that moves you to laughter and tears. This production, co-produced by Sydney and Melbourne Theatre Companies, does it justice and then some.
A worthy retelling of Camille Claudel's story, which at last portrays her as a very real and normal woman.
Anne-Louise Sarks will take over from Brett Sheehy to become the company’s seventh Artistic Director.
Joanna Murray-Smith’s much-performed Honour gets a thoughtful revival and a little makeover.